zaterdag 25 oktober 2014
Une jupe et un 'sarouel' de FantaZia (http://www.fantazia-shop.fr/), le haut est crée par moi-même, les chaussures par Philippe Pasteur (http://fylou.jimdo.com/) .
Een rok over een 'sarouel', daaronder een rode maillot, schoenen van Philippe Pasteur en een wijd shirt dat ik zelf vorm gaf.
Skirt and 'sarouel' by FantaZia (France), the shirt on top of them was made bij me, I wear red tights and ballet-flats shoes by Philippe Pasteur (France)
Photographer: Gonnie Meijer
Place: Abbaye de St Aubin, Angers (F)
woensdag 22 oktober 2014
maandag 20 oktober 2014
zaterdag 18 oktober 2014
Une vernissage d'une exposition à Gennes (49, France)
Hautgroscol en lin marron, par Katia Le Dreff (Bretagne, France)
jupe crée par Mieke Kockelkorn (Maastricht, Pays-Bas)
sarouel court, collant noir, chaussures 'ballerines' (comment à nommer-les en version homme ?)
An opening event in the town of Gennes, France. I wore a wide shirt created by Katia Scoazec (France), a skirt in a similar style by Mieke Kockelkorn, a 'sarouel' from FantaZia (France), black tights and 'ballet flats-for-men'.
Photo by Gonnie Meijer
dinsdag 17 december 2013
maandag 11 november 2013
zondag 3 november 2013
maandag 12 augustus 2013
maandag 25 maart 2013
The 10 cm (!) platform shoes designed and made by Mayra (Montevideo, Uruguay) fit so well on my feet that I can wear them a whole day without even noticing that I am wearing such high shoes. They look great with dark grey tights, black shorts and one of the wide shirts made for me by Katiwa.
Moniek Gerrits created the photos.
donderdag 7 maart 2013
A man wearing tights. Weird? Is it? Really? Men wore tights for centuries. So it is just a type of clothing which has as less to do with gender identity as pants, or t-shirts. I like to re-introduce tights as male clothing and wear them often, always in a manly way of course. These asymmetric striped tights from the brand Bonnie Doon for example.
(Photos by Moniek Gerrits)
zaterdag 15 december 2012
Just an ordinary day in my working studio in Maastricht (the Netherlands). Often people are commenting like: it's just renaissance clothing what you are wearing. But it is defenitely not. It is all contemporary design, only slightly inspired by the past. For example, in medieval or renaissance times, men did not wear black. And, another example, jeans were inspired by rough cloths worn by some american men in the 19th century, but evolved after their re-introduction into timeless basics. Saaibestrijding would like to widen the range of timeless basic clothing for men by showing the great opportunities of leaving the dictatorship of the present dullness behind.
Shoes by Gert Buurman, ordinary black cotton tights, shorts by Anny Schoo, tunic shirt by Katia Scoazec.
maandag 29 oktober 2012
Bachick (Montevideo, Uruguay) fit so amazingly well that the high platforms cause surprisingly few problems to walk on. While wearing them I am simply 10 centimetres taller. They look great with the Katiwa-skirts of Drie-en-zeventig en Zeven-en-zestig.
Photos made in some seconds by myself. Later I will replace them by pictures where also my head is visible!
vrijdag 19 oktober 2012
vrijdag 15 juni 2012
Alise: "When I was painting them, I thought - the meaning need to be strong, manly and some way with mysticism. So.. I painted 'Lāčplēs', after the name of a hero who appears in epic poems. He was called 'the bear slayer'. Once, when he was young, he fought with an angry bear. He won the fight and took the bears' ears where all the power was. With this power he fight for the free Latvia".
(for more about this story: http://en.wikipedia.org/wiki/L%C4%81%C4%8Dpl%C4%93sis and
'Lačplēs' is like calling him. Alise painted also on the letters some symbols of latvian mythology:
Jumis – (from root jum- roof-) was a god of sky and fertility. He is associated with "double-plants", such as two crop stalks or trees which have grown together and share a trunk or stem. During harvesting, some stalks of the crops are bent to the ground and secured in that location with stones. During his holiday, Miķeļi, a ritual called the "Catching of Jumis" is performed, it involves a procession that carries some grains (symbol of "captured" Jumis) home, thereby ensuring the following year's harvest will be at least as successful. He is depicted as a short man with clothes that resemble ears of wheat, hops and barley.
Laima – (laim- (luck-)) was a goddess in both Latvian and Lithuanian mythology. She is the personification of fate and of luck, both good and bad. She was associated with childbirth, marriage, death, proliferation, and domesticity. She was also the patron of pregnant women. Some sources proclaim three Laima's, which means that either this goddess had three aspects or this could have been general name for three deities. Alternative names include Laime, Laimė (Lithuanian), Laimas māte, Laimes māte ("Mother of Luck").
Māra – (Mary) is the highest-ranking goddess, a feminine Dievs. She may be thought as alternate side of Dievs (like in Yin Yang). Other Latvian goddesses, sometimes all of them, are considered her alternate aspects.
Saule – (the sun) was the goddess of the sun and fertility, patron goddess of the unlucky, including orphans. She was the mother of Saules meitas and lived on top of a mountain and flew across the sky on her chariot. At night, she sailed across the sea. She is a beloved Baltic Sun Goddess sometimes recognised as a red apple, setting in the west. Saule is reborn as her daughter, the morning star at the Winter Solstice. Saulė is also a Lithuanian goddess.
(from wikipedia http://en.wikipedia.org/wiki/Latvian_mythology and other sources)
Photography: Gonnie Meijer
Location: HuismethetHandje, Maastricht, the Netherlands
Link to Alise Tilakas webshop: http://www.etsy.com/shop/Aguce